SISTER ACT
Music by Alan Menken & Lyrics by Glenn Slater Written
Produced by: OK Opera MTC - Director: Dr. David Herendeen
Stage Manager: Laurena Sherrill - Costume Designer: Celia Kasberg
Wig & Makeup Designer: Megan Carpenter - Scenic Designer: Jason Foreman
Lighting Designer: Aaron Mooney - Sound Designer: Nathan Schilz
Photographer: Wendy Mutz
SISTER ACT
Music by Alan Menken & Lyrics by Glenn Slater Written
Produced by: OK Opera MTC - Director: Dr. David Herendeen
Stage Manager: Laurena Sherrill - Costume Designer: Celia Kasberg
Wig & Makeup Designer: Megan Carpenter - Scenic Designer: Jason Foreman
Lighting Designer: Aaron Mooney - Sound Designer: Nathan Schilz
Photographer: Wendy Mutz
IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY
Written by Joe Landry
Produced by: TheatreOCU - Director: Matthew Sipress
Stage Manager: Laurena Sherrill - Costume Designer: Celia Kasberg
Scenic Designer: Jeff Bertoncin - Lighting Designer: Aaron Mooney
Sound Designer: Nathan Schilz - Photographer: Bryan Cardinale - Powell
IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY
Written by Joe Landry
Produced by: TheatreOCU - Director: Matthew Sipress
Stage Manager: Laurena Sherrill - Costume Designer: Celia Kasberg
Scenic Designer: Jeff Bertoncin - Lighting Designer: Aaron Mooney
Sound Designer: Nathan Schilz - Photographer: Bryan Cardinale - Powell
CROCHETED, KNITTED, & TEXTILED SHAWL
CROCHETED, KNITTED, & TEXTILED SHAWL
Design Concept & Execution
Sister Act, based on the movie of the same name starring Whoopie Goldberg, is a story that revolves around a want-to-be disco singer who is forced to hide in a convent after accidentally witnessing a murder. Because the musical is set in the late 1970s, I was heavily influenced by the disco star Donna Summer and the fashion trends she set during that time. Emphasis on glitter, glam, and bright colors inspired me to costume everyone who lived outside the convent in a bold, 70's silhouette in order to contrast the nun's stark apparel. It was also important to stay true to the traditional clerical garb that nuns have been wearing for hundreds of years and to be as accurate as possible when it came to portraying those who live in a convent. Altogether, Sister Act provided me an excellent opportunity to learn how to balance the crazy style and fashion of the 70's with the strict religious garb of the church.
Design Concept & Execution
Sister Act, based on the movie of the same name starring Whoopie Goldberg, is a story that revolves around a want-to-be disco singer who is forced to hide in a convent after accidentally witnessing a murder. Because the musical is set in the late 1970s, I was heavily influenced by the disco star Donna Summer and the fashion trends she set during that time. Emphasis on glitter, glam, and bright colors inspired me to costume everyone who lived outside the convent in a bold, 70's silhouette in order to contrast the nun's stark apparel. It was also important to stay true to the traditional clerical garb that nuns have been wearing for hundreds of years and to be as accurate as possible when it came to portraying those who live in a convent. Altogether, Sister Act provided me an excellent opportunity to learn how to balance the crazy style and fashion of the 70's with the strict religious garb of the church.
Design Concept & Execution
It's A Wonderful Life: A Live Radio Play, based on the original tale, is centered around a man who discovers what life around him would have been like if he had never been born. For this production I sought to place the focus of my designs around a bright and cheery color palette influenced by Christmas themes while staying true to the style and silhouette of the 1940s.
Design Concept & Execution
It's A Wonderful Life: A Live Radio Play, based on the original tale, is centered around a man who discovers what life around him would have been like if he had never been born. For this production I sought to place the focus of my designs around a bright and cheery color palette influenced by Christmas themes while staying true to the style and silhouette of the 1940s.
LEATHER NECK PLATE
LEATHER NECK PLATE
LEATHER NECK PLATE
LEATHER NECK PLATE
Current Projects
Current Projects
Current Projects
Celia Kasberg
COSTUME ARTISAN
Three Sisters
Written by Anton Checkov
Produced by: TheatreOCU
Director: D. Lance Marsh
Stage Manager: KateLynn Foster
Costume Designer: Celia Kasberg
Scenic Designer: Dustin Bielich
Lighting Designer: Aaron Mooney
Sound Designer: Chase Stryhall
Photographers: Tiffany Kashala & Bryan Cardinale Powell
Design Concept & Execution
Three Sisters is a story set in the early 1900s that explores the themes of isolation and unfulfilled dreams among a family living in Russia. For this production, the director wanted to include the addition of younger versions of each of the sisters to 'haunt' them in the present as a reminder of unfulfilled desires of the past. Going forward with this in mind I costumed the characters in specific color palettes and textures to convey separation among the family members and to show how each sister's depression progressed through every act. For example, Masha, the middle sister, starts as a frustrated and depressed individual who is stuck in a marriage that leaves her unsatisfied, so she pursues an affair with another man to free herself emotionally. To portray this in her clothing, I costumed her in a black Edwardian dress of harsh pleats reminiscent of a strait jacket in Act I. As Masha continues her affair, the necklines lower and hints of red are more prominent in her clothing, conveying how she has grown emotionally through her affair in Acts II and III. By the end of the show when her lover has left her, she returns to her original color palette and silhouette of black and harsh pleats. Overall, I believe this design concept best portrayed the themes of depression and isolation within each of the characters of the show, while staying true to the new themes the director presented with the addition of the younger versions of the sisters.