SISTER ACT
Music by Alan Menken & Lyrics by Glenn Slater Written
Produced by: OK Opera MTC - Director: Dr. David Herendeen
Stage Manager: Laurena Sherrill - Costume Designer: Celia Kasberg
Wig & Makeup Designer: Megan Carpenter - Scenic Designer: Jason Foreman
Lighting Designer: Aaron Mooney - Sound Designer: Nathan Schilz
Photographer: Wendy Mutz
SISTER ACT
Music by Alan Menken & Lyrics by Glenn Slater Written
Produced by: OK Opera MTC - Director: Dr. David Herendeen
Stage Manager: Laurena Sherrill - Costume Designer: Celia Kasberg
Wig & Makeup Designer: Megan Carpenter - Scenic Designer: Jason Foreman
Lighting Designer: Aaron Mooney - Sound Designer: Nathan Schilz
Photographer: Wendy Mutz
IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY
Written by Joe Landry
Produced by: TheatreOCU - Director: Matthew Sipress
Stage Manager: Laurena Sherrill - Costume Designer: Celia Kasberg
Scenic Designer: Jeff Bertoncin - Lighting Designer: Aaron Mooney
Sound Designer: Nathan Schilz - Photographer: Bryan Cardinale - Powell
IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY
Written by Joe Landry
Produced by: TheatreOCU - Director: Matthew Sipress
Stage Manager: Laurena Sherrill - Costume Designer: Celia Kasberg
Scenic Designer: Jeff Bertoncin - Lighting Designer: Aaron Mooney
Sound Designer: Nathan Schilz - Photographer: Bryan Cardinale - Powell
CROCHETED, KNITTED, & TEXTILED SHAWL
CROCHETED, KNITTED, & TEXTILED SHAWL
Design Concept & Execution
Sister Act, based on the movie of the same name starring Whoopie Goldberg, is a story that revolves around a want-to-be disco singer who is forced to hide in a convent after accidentally witnessing a murder. Because the musical is set in the late 1970s, I was heavily influenced by the disco star Donna Summer and the fashion trends she set during that time. Emphasis on glitter, glam, and bright colors inspired me to costume everyone who lived outside the convent in a bold, 70's silhouette in order to contrast the nun's stark apparel. It was also important to stay true to the traditional clerical garb that nuns have been wearing for hundreds of years and to be as accurate as possible when it came to portraying those who live in a convent. Altogether, Sister Act provided me an excellent opportunity to learn how to balance the crazy style and fashion of the 70's with the strict religious garb of the church.
Design Concept & Execution
Sister Act, based on the movie of the same name starring Whoopie Goldberg, is a story that revolves around a want-to-be disco singer who is forced to hide in a convent after accidentally witnessing a murder. Because the musical is set in the late 1970s, I was heavily influenced by the disco star Donna Summer and the fashion trends she set during that time. Emphasis on glitter, glam, and bright colors inspired me to costume everyone who lived outside the convent in a bold, 70's silhouette in order to contrast the nun's stark apparel. It was also important to stay true to the traditional clerical garb that nuns have been wearing for hundreds of years and to be as accurate as possible when it came to portraying those who live in a convent. Altogether, Sister Act provided me an excellent opportunity to learn how to balance the crazy style and fashion of the 70's with the strict religious garb of the church.
Design Concept & Execution
It's A Wonderful Life: A Live Radio Play, based on the original tale, is centered around a man who discovers what life around him would have been like if he had never been born. For this production I sought to place the focus of my designs around a bright and cheery color palette influenced by Christmas themes while staying true to the style and silhouette of the 1940s.
Design Concept & Execution
It's A Wonderful Life: A Live Radio Play, based on the original tale, is centered around a man who discovers what life around him would have been like if he had never been born. For this production I sought to place the focus of my designs around a bright and cheery color palette influenced by Christmas themes while staying true to the style and silhouette of the 1940s.
LEATHER NECK PLATE
LEATHER NECK PLATE
LEATHER NECK PLATE
LEATHER NECK PLATE
Current Projects
Current Projects
Current Projects
Celia Kasberg
COSTUME ARTISAN
Wire Crowns
Design Concept & Execution
For a production of the The House of Atreus: Part II, I was asked by the costume designer, Becca Bailey, to create a series of crowns for an ensemble group known as the Furies. The Furies were based on the Greek Mythology creatures of the same name, who served and carried out the deeds of Hades (the god of the underworld). For these crowns, the designer wanted to implement both smooth and rough textures in the structure but keep the overall design sleek. To accomplish this, I used wire to make the base of the crown malleable and easy to manipulate into curves in order achieve the sleek factor the designer was looking for. Using wire also allowed me to factor in a variety of beads into the design and structure of the crown, enabling me to integrate a multitude of red and brown colors to break up the wire. Overall, the series of crowns achieved the designer's vision of making the structure of the crowns both sleek in composition and rough in texture.